09-04-2022, 06:45
The GlobaLS Research Group invites you to the next industry email list International Seminar on Global Literary Studies, with the renowned specialist in Latin American and world literature, Ignacio Sánchez-Prado . Summary: This discussion starts from the chapter with the same title, in which a lecture by Juan Rulfo industry email list delivered in 1965 (subsequently published as ' Current situation of the contemporary novel ') is examined to trace a cartography of world literature that differs from the one proposed by authors such as David Damrosch, Franco Moretti, Pascale Casanova, the Warwick Collective or Pheng Cheah. Rulfo creates his own. The place of enunciation of it and its system of industry email list references from non-canonical and peripheral texts and objects point to the existence of vectors that produce a world
literature made invisible by the aforementioned critical industry email list contributions. Thus, a methodological change is proposed that world literature thinks not from the determinism - or sometimes industry email list voluntarism - perceived in the "world systems" but rather "from below", in other words, starting with the ways in which concrete actors produce and practice world literature. Bio: Ignacio M. Sánchez Prado is the Jarvis Thurston and Mona van Duyn Professor in the Humanities at Washington University in St. Louis. His research focuses on the relationship between aesthetics, ideology, and cultural institutions with a particular focus on literature and film. He's the author of six
books including Screening Neoliberalism. Transforming industry email list Mexican Cinema 1988–2012 (2014), and Strategic Occidentalism. On Mexican Fiction, The Neoliberal Book Market and the Question of World Literature (2018) as well as Intermitencias alfonsinas. Studies and other texts (2004–2018), forthcoming. He has edited thirteen critical collections, including A History of Mexican Literature (with Anna Nogar and industry email list José Ramón Ruisánchez, 2016), Mexican Literature in Theory (2018) and Pierre Bourdieu in Hispanic Literature and Culture (2018). He has published about eighty articles on Mexican literature, film, culture, and cultural theory. Texts under discussion: Ignacio Sánchez Prado, “World literature as praxis: notes towards a methodology of the concrete”. Muller,
literature made invisible by the aforementioned critical industry email list contributions. Thus, a methodological change is proposed that world literature thinks not from the determinism - or sometimes industry email list voluntarism - perceived in the "world systems" but rather "from below", in other words, starting with the ways in which concrete actors produce and practice world literature. Bio: Ignacio M. Sánchez Prado is the Jarvis Thurston and Mona van Duyn Professor in the Humanities at Washington University in St. Louis. His research focuses on the relationship between aesthetics, ideology, and cultural institutions with a particular focus on literature and film. He's the author of six
books including Screening Neoliberalism. Transforming industry email list Mexican Cinema 1988–2012 (2014), and Strategic Occidentalism. On Mexican Fiction, The Neoliberal Book Market and the Question of World Literature (2018) as well as Intermitencias alfonsinas. Studies and other texts (2004–2018), forthcoming. He has edited thirteen critical collections, including A History of Mexican Literature (with Anna Nogar and industry email list José Ramón Ruisánchez, 2016), Mexican Literature in Theory (2018) and Pierre Bourdieu in Hispanic Literature and Culture (2018). He has published about eighty articles on Mexican literature, film, culture, and cultural theory. Texts under discussion: Ignacio Sánchez Prado, “World literature as praxis: notes towards a methodology of the concrete”. Muller,